In John Zurier’s works, seemingly monochromatic surfaces evolve into visual poetry. His language is minimal and at the same time very distinct: linear elements build up space through an interaction of presence and absence. Inspired by observations of natural phenomena, light conditions and colour, the works convey a characteristic calmness and purity.
While working with Niels Borch Jensen Editions in the summer of 2016, Zurier investigated the technique of line etching as a way of drawing on the plate: ‘What I was looking for in these prints was a slow and variable light. What I found was a way to bring drawings to the surface.’ He effortlessly translates his artistic practice as a painter from canvas to copper plate to make the very process of printmaking visible: The marks in the plate, executed by brush or needle, become evident; the force with which the paper is pressed into the indentations is almost palpable. The three-dimensionality of ink sitting on paper, the rich texture of the surfaces, the physical material at hand becomes the topic of a meditation on color and surface.
